For Joan Jonas, everything is ongoing (Document, Winter 2023)

Emma Corrin mines stories of unbridled, uncensored self-discovery (Document, Winter 2022)

Kelly Reichardt: The Films That Made Me, AnOther (2024)

The Monstrosity of Feminist Art: A Conversation with Lauren Elkin, Los Angeles Review of Books (2024)

Paul Preciado: A New Adaptation of Orlando Takes on the Trans Experience, AnOther (2023)

Savanah Leaf's Earth Mama finds tenderness in solidarity, Document (2023)

How Cinematographer Agnès Godard Lensed Five of Her Most Striking Films, AnOther (2023)

Looking back on the oeuvre of Yvonne Rainer, iconoclast and artistic visionary Document (2023)

Thirty years later, Sally Potter’s Orlando adaptation still feels wildly modern, Document (2022)

Heidi Sopinka: This Novel Takes You Inside LA’s Explosive 1970s Feminist Art Scene, AnOther (2022)

Olivia Laing on the Pain, Pleasure, and Power of Inhabiting a Body, Electric Literature (2021)

Dispatches from Eileen Myles, the greatest President we never had, Document (2020)

Agnès Varda’s feminist, anti-establishment legacy, according to her daughter Rosalie, Document (2019)

Nia DaCosta makes vital films about ‘unconventional women, Dazed (2019)

Theresa Chromati’s technicolor portraits of women being as loud as they want, Document (2019)

Julia Jacklin on the visual side of being a musician, Couturesque (2018)

Interview with Angela Davis and Gina Dent, La Pietra Dialogues (2018)

Luca Guadagnino’s Queer: To Talk Without Speaking, To Love Without Knowing, Arcade (2024)

In Fingernails, uncertainty is painful, Document (2023)

Name Drop, No Exit, Public Books (2023)

TIFF's (somewhat) hidden gems, Document (2023)

Was Riverdale camp? Dirt (2023)

A guide to the tender films of Mia Hansen-Løve, Document (2023)

Women Talking’s Striking Emptiness, Girls on Tops (2022)

In Sierra Pettengill’s documentary Riotsville, U.S.A., a fake town reveals real problems, Document (2022)

From Spencer to Licorice Pizza: why are women suddenly running on film? The Guardian (2022)

Watching ‘Nunsploitation’ films in the age of isolation, Document (2020)

Coming of Age and Coming Apart in Sally Potter's Ginger and Rosa, Girls on Tops (2020)

The promise of Parasite and the lingering, toxic effects of Hollywood’s monopoly on taste, Document (2020)

Greta Gerwig's feminist economics from Frances Ha to Little Women, Document (2020)

The revolution will be televised? Criminal injustice as entertainment, Document (2019)

5 Agnès Varda films that taught us how to be vulnerable, Document (2019)

On Minding the Gap and skateboarding’s counterculture origins in Rust Belt America, Document (2019)

​Five lesser-known films by French New Wave legend Agnès Varda, Dazed (2018)

“A Different Dust Bowl” (Review: The Life of Sanora Babb, Iris Jamahl Dunkle), Los Angeles Review of Books (2024)

"Just Like a Person" (Review: Open Throat, Henry Hoke), Review31 (2023)

"A beginner's guide to Annie Ernaux," Document (2022)

Performing Colonial Toxicity, C Magazine (2024)

Ana Mendieta: Soul of the Earth at Galerie Lelong, PAPER (2019)

​Latinx Artists Use Sci-Fi to Imagine Postcolonial Futures, PAPER (2019)

​Sarah Lucas: Au Naturel at New Museum for Office (2018)

Foreword to 34 Collages by Ebru Eltemur, Irrelevant Press (2020)

Sister Stories, Electric Literature (2019)